You can also use the archive section to download past performances and subscribe via iTunes, or using another podcast service. Lots and lots of amateur and professional dubstep artists use Soundcloud as a way to get their music out to the masses.
You can view music based on how new it is, or how hot it is at that time. Obviously, the new page is going to be unfiltered, so I would expect some of it to be bad, but it could be a good way to discover some amazing music that not many people have found yet.
The hot page is where you will probably spend most of your time, as it is what the community considers the best. In addition, on the right side of the page it shows you users who have uploaded dubstep. You can use this to find artists who upload a lot of songs. Our own Tina has been known to throw some dubstep into her weekly Sound Sunday column.
Make sure to check back weekly, as not only does she include some awesome dubstep, but she features some awesome free music from other genres as well. Spotify is chock full of dubstep goodness.
Of course, you have to have some idea of what you are looking for, and these other resources will help with that. You can also look into the Spotify app Share My Playlists. There are some gigantic playlists that will help you discover new artists. Personally, I listen to this one all the time, as it features a good mix of artists and a wide range of styles. Whatever your tastes, with Spotify and Share My Playlist, you will be able to find a lot of new dubstep to listen to and enjoy.
With these resources, you will be ready to listen to all the dubstep you can imagine. As I said before, dubstep is still pretty underground, so finding new stuff to listen to can prove challenging, but with these websites and tools you will become a dubstep master, ready to take on the world with some of the best music out there. What are some awesome new dubstep artists you have discovered using these tools? Leave us your recommendations in the comments!
Image Credit: Subwoofer via Shutterstock. Any internet tips that make life easier are always welcome, so here are 13 useful websites that can do just that. Share Share Tweet Email. Related Topics Internet. All you need to do is duplicate your Massive patch and turn off the filters and any extra effects. For a sub bass, you only need one oscillator and a simple waveform, generally a sine wave.
This simple patch will sit underneath your main sound to give it a nice low end thump without muddying up the mid and high frequencies. You can then EQ out the lower frequencies on your main sound so that everything under hertz will be removed. This will keep your sub and your main sound from competing with each other. You can avoid this by using sidechain compression. Sidechain compression is another production concept that sounds more complicated than it is.
The basic goal is to use a compressor to momentarily reduce the volume of certain sounds in your mix. In our case, the compressor would be placed on the sub bass channel, and each time a kick drum is triggered, it will activate the sidechain compression.
The result is that the sub bass will briefly get quieter while the kick drum plays out. This will give your kick and sub their own space within the mix and keep them from cancelling each other out. Fill In The Offbeats Dubstep beats tend to be very simple. A typical dubstep drum loop consists of a kick on the first beat and a snare on the third beat, giving the genre its signature half-time rhythms.
However, your beats will get boring if you keep them too simple. So, to keep your rhythms fresh, be sure to throw in some percussion variations to fill in the offbeats. A swung hi-hat pattern or the occasional tom fill can go a long way towards livening up your beats. An easy way to achieve this is by layering multiple drum samples together. It even helps them sit better in the mix. In an interview with Izotope , Skrillex breaks down how he layers his snares to make them as punchy as possible.
You need a nice transient in the beginning, and then the note around the hertz frequency that gives it that boof, and then a tail, which can be anything. Then you take a clap or a china [sound] and shelve it off super high, and add some reverb to it and then print it as one. Balance it while you print it, and then you re-compress it from there and you have a snare drum. If you layer two kicks together that are out of phase, this will have the effect of making them sound thin and weak.
You will also need to make sure your kicks are in tune with each other, otherwise you will wind up with a muddy kick that loses some of its impact. Use FM Synthesis If you really want to become a master of sound design, sooner or later you will have to take a dive into the murky waters of frequency modulation FM. From gnarly growls to ear shattering screeches, FM is the method that your favorite producers are using to create their best dubstep patches.
Compared to more basic forms of sound synthesis, frequency modulation can be a difficult concept to wrap your head around. Put simply, frequency modulation involves using one sound to manipulate another.
For instance, you would use one oscillator as your carrier wave, while a second oscillator would be used to modulate the carrier. Take a look at this diagram below to get a better idea of how FM can be used to alter your sound.
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